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The Innocents Abroad, 1998
Set in Monotype Bell and printed letterpress on Johannot. Non-adhesive binding with exposed spine sewing. Two volumes in a black and white linen-covered hard-case wrapper with black leather straps over brass studs. Interior design by Bob McCamant; printed by Martha Chiplis; bound by Trisha Hammer. Edition of 200.
1200
Saving His Life, 2008
Set in Monotype Ehrhardt and printed letterpress on handmade Twinrocker Taupe. Photoetchings from family photographs printed on Hosho, inset into the book in debossed panels. Hidden crossed-structure binding in Nigerian goatskin with end papers of Japanese silk, housed in a silk drawstring bag. End paper map drawn by Deborah Reade. Interior design and printing by Martha Chiplis; binding by Trisha Hammer. Edition of 50.
1915
The Innocents Abroad, 1998
Set in Monotype Bell and printed letterpress on Johannot. Non-adhesive binding with exposed spine sewing. Two volumes in a black and white linen-covered hard-case wrapper with black leather straps over brass studs. Interior design by Bob McCamant; printed by Martha Chiplis; bound by Trisha Hammer. Edition of 200.
1200
Saving His Life, 2008
Set in Monotype Ehrhardt and printed letterpress on handmade Twinrocker Taupe. Photoetchings from family photographs printed on Hosho, inset into the book in debossed panels. Hidden crossed-structure binding in Nigerian goatskin with end papers of Japanese silk, housed in a silk drawstring bag. End paper map drawn by Deborah Reade. Interior design and printing by Martha Chiplis; binding by Trisha Hammer. Edition of 50.
1915